How to draw a palm tree: Awesome easy-to-use drawing tutorial 2021

How to draw a palm tree_featured image

Welcome to how to draw a palm tree drawing tutorial!

Palm trees bring to mind the ocean, sand, and relaxing with a fruit-laden drink in hand. Easy drawing tutorials make things simple, so as you learn how to draw a palm tree we’ll keep the process fun and easy by using small, clear steps to create the shapes, forms, and edges of a finished palm tree drawing or sketch.

In this how to draw a palm tree tutorial, I’ll cover the basic shapes, forms, and lines of palm trees and all their parts, including the palm tree trunk and palm tree leaf. When we draw a palm tree, our beginning step is the same as any of my other “learn how to draw” tutorials: references!

First, we explore and study all the shapes and forms of every last thing that makes a palm tree look like a palm tree. Then, we construct the basic forms of a palm tree and practice drawing some palm tree silhouettes before moving on to step-by-step palm tree drawing tutorials, drawing in perspective, light and shadow, and more.

Let’s learn about palm trees!

Palms, including palm trees, are from the family Arecaceae. They are a family of flowering plants with several growth forms, all commonly known as palms.

Most palm species, characterized by large evergreen leaves called fronds, are found in tropical and subtropical environments.

As one of the best known and most cultivated plant families, palms show extensive diversity in physical characteristics that allow them to inhabit nearly every kind of habitat. Being so well cultivated means palms, from their wood to their fruits, have several uses in human society, including palm wood, carnauba wax, palm syrup, dates, oils, jelly, and coconut products.

Exploration and study: Discovering a palm tree’s basic shape

Shape breakouts and natural variations

How to draw a palm tree: form construction

How to draw a palm tree: Form dissection and interior studies

Palm tree silhouette

Easy steps palm tree drawing

How to draw a palm tree with silhouette, step-by-step tutorial

Palm tree drawing in Perspective

How to light a palm tree with realistic tones and cel-shading

More details and coloring of palm trees

How to draw a palm tree from Imagination!


How to draw a basketball: Fantastically fun step-by-step tutorials, 2021

How to draw a basketball

Welcome to my how to draw a basketball tutorial!

Two teams meet with one ball in the middle, and today our focus is on basketball. In this basketball how to draw tutorial, we’ll focus on the ball itself. Its current design is quickly and easily recognizable, with its view of four lines that join at each end of the ball.

First, I’ll go over a little bit of the ball’s evolution because a bit of history is always helpful to our process. Then I’ll show you how to draw a basketball by breaking down its design to demonstrate that those lines we see are three shapes.

I’ll cover how to construct a sphere, the form of a basketball, and then take you one easy step at a time through drawing the shape, form, and curved lines to create your basketball drawing.

Let’s learn about basketballs!

Basketball was invented in 1891 and began with a soccer-like ball, which wasn’t dribbled. Basketball didn’t receive its ball design until 1894, getting a brown four leather-paneled ball with stitching similar to a football. The dribbling technique was introduced into the game in 1897, and by 1937 basketball was popular enough to have its own league, which began as the NBL–The National Basketball League.

With its growing popularity as a sport, basketball needed a redesigned ball because fans had difficulty following a brown ball on a brown court. So, around 1950, the ball was redesigned to be the orange color we’re all familiar with today. Then, in 1971, the NBA redesigned the basketball again, evolving it from four leather panels to eight leather panels which improved players’ ability to grip and dribble the ball.

I’ve included a helpful video I found below. If you’d like to see how the basketball design has changed over the years, and if you’d like to learn more about basketball’s history, click here.

In this drawing tutorial, we’ll focus on how to draw a basketball with its current design.

Exploration and study: Basketball drawing sketching

Whenever I draw something new, I start with study sketches to help me understand my subject’s shapes, forms, lines, and other features. Since this is how to draw a basketball, I did a few sketches to learn what makes a basketball look like it does, and as always, we start with a few references to help us get familiar with basketballs.

Typical basketball features: Curved line and horizontal line

Each curved line on a basketball is part of three shapes. First, it appears to have a vertical and horizontal line bisecting its middle, but they’re vertical and horizontal circular bands around the ball.

How to draw a basketball: form construction

A basketball is a hollow sphere made of eight leather panels. To learn how to draw a basketball, first, we must understand how to draw circles and spheres.

Help with drawing a circle or a sphere can be found here: how to draw a circle and a sphere article.

Here are a couple of videos for a quick recap:

How to draw a circle
How to draw a sphere

Now that we understand the basketball’s sphere form let’s briefly look at its insides with form dissection.

How to draw a basketball: Form dissection

I mentioned earlier that basketballs are hollow. So if you need to draw a deflated or cut open basketball, it helps to practice dissecting a sphere.

Here are some step-by-step images for sphere dissection. In addition, I have more on how to draw a sphere, and here is an example I created for a hollowed-out sphere half.

How to draw a basketball step by step instructions

Now that we’ve covered the essential part of how to draw a basketball, its form, we can move on to the other most recognizable feature: the lines, pattern, and texture.

As mentioned earlier, what appears to be a curved line or a set of lines is three shapes: one verticle circle, one horizontal circle, and one that resembles insect wings or a band-aid.

Drawing a realistic basketball

A simple circle is clear enough to draw, and we covered that in a previous step. Keep in mind that the circles needed for the pattern must go all the way around the ball, create thickness, add depth, and take on much darker shades. The other shape that wraps around the ball and resembles a wing takes more effort and concentration.

I’ve created a video to demonstrate how I draw each from two simple views to clarify this shape.

Basketball drawing step-by-step

Next, I’ve created a set of step-by-step images for how to draw a basketball. It helps to remember that the curved lines that create the shapes and patterns have depth. They are not level with the rest of the ball’s surface but instead make a slight depression. It’s important to indicate this for a realistic basketball drawing.

Drawing a cartoon basketball

Cartoon basketball drawings need to emphasize lines and shapes more because they are the opposite in their execution to a realistic drawing in that they don’t focus on three-dimensional form. Of course, some form will still be indicated because of the way the line will curve around the body of the ball, but overall it will still have the “flat” cartoon look.

For cartoon basketball drawings, it’s also helpful to include an outlining contour and emphasize the orange color and cel-shading method of applying light and shadow. Here are some examples of cartoon basketballs on Google Images and a few step-by-step images for how to draw a basketball in a cartoony way.

The significant difference between how to draw basketball realistically vs. as a cartoon mostly comes down to depth, texture, and handling of light and shadow. The cartoon style starts with a circle, is fun, quick, and purposefully simplifies realism. It lends itself very well to exaggeration and stylization and can be appealing to all ages.

The texture and colors of basketballs

I’m not gonna lie; drawing the texture on basketballs with pencil and paper, even if it’s just a sketch, is a tedious pain in the butt. However, digitally, it’s easy-peasy. If you prefer to learn how to draw a basketball in a hyper-realistic way, you’ll need some texture reference. I’ve included some below and a trace (more imprinting) image to offer a clearer idea of the small shapes that create the ball’s texture.

How to light a basketball

I made a basic lighting example for how to draw a basketball for light and shadow reference with a pencil (graphite) and paper. The ball is drawn the same as in the earlier steps, I just added basic lighting.

Lighting a cartoon basketball with Cel shading

The steps for lighting a cartoon basketball are simple as there’s no need to blend with cel-shading. Using a curved line or two helps create a guide for placing the flat tones that create the cel-shaded look.

Basketball drawing in perspective – start with a sphere!

To learn how to draw a basketball in perspective is the same as drawing a sphere in perspective. As long as you make sure you have a cube rather than a rectangular box in perspective, you’ll get a nice round sphere to start creating your basketball from. After that it’s just a matter of practice, practice, repeat!

Thanks for joining me to learn how to draw a basketball!

Thank you so much for stopping by my how to draw a basketball article! I hope you found this helpful and fun. I’m always happy to hear from my visitors and readers, so if you have any comments, questions, or feedback for me please leave them in the comments section below.

Take care, stay safe, and happy drawing!


How to draw a cube: A creative and comprehensive look, 2021

How to draw a cube with CecelyV

Welcome to how to draw a cube!

Happy drawing, everyone! I hope you’re all doing well and ready to learn how to draw a cube with me today 😊 .

Cubes are one of the five basic forms. Drawing cubes freehand and in perspective are important skills to build on your art journey. Every form you need, for anything you want to draw, can be carved out of or built from a cube.

I’ll be demonstrating a few different methods for cube drawing here with step-by-step images and videos. I’ll show you how to draw a cube freehand, as well as cube drawing in perspective.

Learning how to draw a cube is simple and straightforward. It gets challenging when you need to turn them in perspective, but that’s a bridge to cross later 😉. For now, let’s take a look at what cubes are.

Let’s learn about cubes!

The most helpful description I found of a cube comes from a website search on Kiddle:

“A cube is a block with all right angles and whose height, width and depth are all the same. A cube is one of the simplest mathematical shapes in space.”

https://kids.kiddle.co/Cube

The main thing to understand is that a cube is a three-dimensional shape, meaning it has Volume. While a square has width and height, it has no depth–no volume. A cube, and all other three-dimensional forms, have width, height, and depth.

The sides of a cube (also called faces) are squares. Each side is connected to the others by straight lines (called edges) and by corners (called vertices). Each of a cube’s corners is at a right angle. A cube has 6 faces, 12 edges, and 8 corners.

If you’re interested in a more mathematical explanation of what a cube is, you can find it here.

You might have heard people refer to all kinds of boxes as 3D cubes, especially when they’re talking about drawing in perspective. Technically, not all boxes are cubes, but for drawing purposes, it really doesn’t matter one way or the other 😉.

Exploration and study: Natural and man-made cubes

Interestingly, there aren’t a lot of examples of naturally occurring cubes. Since it’s such a basic visual building block, I thought that was a little surprising, but 🤷🏾‍♀️. Naturally occurring cubes are found primarily in rock, mineral, and crystal formations, and it’s super easy to find examples of man-made cubes in almost anything.

Here are a couple of reference boards I created to illustrate both natural and man-made cubes.

Shape breakouts and natural variations

Normally, I would make a bunch of exploration and study sketches of my subject and break out all the different shape and form variations. But…cubes are pretty simple, so that’s not really a thing for this drawing tutorial 😅.

The shapes on a cube are just squares, and the variation is limited: we’re either drawing a cube or a rectangular “cube” (box). When we learn how to draw a cube, those are our base options. But simple is good, right?

Okay, let’s dig into this how to draw a cube business. I’ll go over a few freehand methods I came up with, and I’ve included a few video demonstrations about drawing cubes/boxes in perspective and showing the drawing process for the methods.

How to draw a cube step-by-step tutorials

I made up names for the freehand cube drawing methods I came up with 😁:

  • The basic method
  • Upside-down L’s
  • The Headless stick figure
  • Connect the squares method

The basic method

This way of drawing a cube is one that I learned early on in my art journey. It begins with a simple square shape and builds into a cube by adding depth with additional lines.

how to draw a cube_basic method step 1

The basic method, Step One

For the basic method of how to draw a cube, step 1 is drawing a simple square of any size you’d like.

how to draw a cube_basic method step 2

Step Two

Next, start creating depth by drawing lines out from each corner. This begins to give you the edges of the cube.

(I missed the bottom left corner here, but I’m sure you’ll rock it 😉).

how to draw a cube_basic method step 3

Step Three

Begin connecting the edges of the cube you drew in the previous step. The goal here is to create each square face of the cube, so each complete connection should give you a square face.

how to draw a cube_basic method step 4

Step Four

Connect the last edges and vertices, and you will have completed your 3D cube.

Upside-down L’s

This is just a spin on the basic method that allows us to shift our thinking a little bit. Instead of starting with a familiar shape, we begin with an upside-down letter ‘L’. This way we start out thinking in terms of edges and vertices rather than shapes and faces.

how to draw a cube_upside-down L's step 1

Upside-down L’s, Step One

As its name suggests, step 1 is drawing two upside-down capital L’s. Their size and how far you space them apart will determine how your cube looks.

how to draw a cube_upside-down L's step 2

Step Two

Connect the two L’s to complete the first face of your cube.

how to draw a cube_upside-down L's step 3

Step Three

From the two bottom vertices of the square face, draw edges back in space that each run parallel to the tops of the original upside-down L’s, as shown.

how to draw a cube_upside-down L's step 4

Step Four

Begin connecting the ends of each of the edges you added in the previous step to create additional faces for your cube.

In this example, the bottom and left faces were created.

how to draw a cube_upside-down L's step 5

Step Five

Finish connecting the last three vertices to create the last three faces of your cube and voila! You now have a completed freehand cube!

The Headless stick figure

This how to draw a cube method is straightforward like the others. We begin with the back corners of the cube and work our way forward in space until the cube is complete, and starting with a headless stick figure gives us that back corner start as you’ll see in this next demo.

how to draw a cube_headless stick figure step 1

Headless stick figure, Step One

We have five edges and two vertices. If we were to add a circle at the top, we’d have a stick figure. Without the head, we get the back corner of our cube.

how to draw a cube_headless stick figure step 2

Step Two

Connect the “arms” and “legs” of our headless stick figure to get the first two planes of our cube, as seen here.

how to draw a cube_headless stick figure step 3

Step Three

Connect the top two outside corners with straight edges to create the top plane of the cube.

how to draw a cube_headless stick figure step 4

Step Four

Drop an edge down from the front-most corner of the top square plane. This sets us up to complete the last three planes of the cube.

how to draw a cube_headless stick figure step 5

Step Five

Connect the two bottom outside corners to the end of the vertical edge you dropped earlier and boom! You have a completed cube 😉.

Connect the squares method

The focus of this how to draw a cube method is connecting corresponding points (vertices) of the squares. This way of drawing cubes is a lot of fun and opens up possibilities for more interesting cubes and boxes.

how to draw a cube_connect squares method step 01

Connect the squares, Step One

Drawn any size square you’d like to begin.

how to draw a cube_connect squares method step 02

Step Two

Draw a second square with roughly the same dimensions as the first, and consider its position in relation to your first square since you’ll be connecting them.

Here I chose to overlap them slightly to make the connection a little more intuitive.

You’ll notice my second square is a little smaller than my first, and that’s okay. The point is to understand and practice the process.

how to draw a cube_connect squares method step 03

Step Three

Choose a square corner to start with and connect it to its matching corner on your second square with a straight line (edge).

how to draw a cube_connect squares method step 04

Step Four

Continue connecting the matching edges of both squares to each other.

how to draw a cube_connect squares method step 05

Step Five

After connecting the last corner, you’ll have a completed freehand cube drawing!

How to draw a cube medley!

To make this how to draw a cube tutorial more clear, I created a couple of videos to demonstrate the process for each method shown above. Establishing our processes in our work is extremely important, and my goal is to make the processes I use as clear as possible to help you decide on your own.

How to draw a cube: 3D cube drawing.
Cube drawing by connecting squares.

How to draw a cube in Perspective

Perspective can get a little hairy and confusing when you try to explain it with words and images alone, so I think the best approach for this particular art fundamental is a video demonstration.

To be clear, I didn’t make this video to explain drawing in perspective point by point, but the setup and process stay the same whenever you’re drawing basic forms in perspective.

How to draw a cube: 3D cubes in perspective.

You may have noticed from the video that I did the entire demo on a 3-point perspective grid–meaning a three vanishing point setup. For practice like this, it doesn’t matter which perspective you use so long as you have each vanishing point you need. I find it helpful to work from a 3-point perspective grid even when I’m not drawing in that perspective because it gives me the option of drawing in three different perspectives without having to change my paper format.

As long as you use the appropriate vanishing point, or points, for the perspective you intend to use on your object/form, then you’re good to go! 👍🏾

How to draw a cube: Form dissection

Normally, at this point, I would go over how to draw a cube with a dissection demonstration that dives into interior forms. However, with basic cubes and boxes, which aren’t representing anything specifically, there aren’t any interior forms to explore.

Still, a demonstration on cutting into/cutting away/dissecting the cube form is still helpful and useful, so that’s what this next video shows.

How to draw a cube: 3D cube dissection.

More cube drawing – building other forms

As I mentioned earlier, all manner of forms can be built from or carved out of cubes and boxes. Here are a few simple examples to demonstrate what I mean:

Freehand forms from cubes.

How to light a cube

Rather than get into an entire discussion on the fundamentals of light, I decided to show a few photographic examples of lighting on a cube. With a few simple art supplies and wooden 3D shapes, I photographed some images to use as a visual tutorial for how light falls on a cube.

This first set of images were taken in my make-shift still life box. It’s an old diaper box whose inside I’ve covered with black butcher paper. I cut out a couple of holes on each of the short sides and partially cut away the top so I can control the lighting. The cube in these images was lit with white light from a spotlight.

These next set of images demonstrate the light on a cube from my overhead studio light. It’s a small ceiling fan with a light kit, which essentially functions as a large diffused light source for these examples. Once again, you’ll notice that the shadow gets longer as the cube moves further away from the light–however, the shadows (shading) are different with a different light source. There are multiple shadows because the light source is composed of 3 light bulbs.

This gives us multiple shadows that are also brighter and quite soft.

In this last set of lighting/shading reference images for how to draw a cube, I used a candle–a much smaller, but quite bright, light source–to light the wooden cube. A candle would be a point light source, and it makes for much darker and more crisp shadows.

For some of these, the candle (point light) was low and closer to the cube, while at other times it was positioned above the cube. As usual, the closer the cube is to the light source, the sharper and darker the shadows are.

Here are a couple of examples of how to light a cube and place the cast shadows using a traditional medium, graphite pencils.

How to draw a cube from Imagination!

Let’s practice how to draw a cube from imagination 😊.

There isn’t really much to explain or guide you through here. Just grab a pencil and some paper, and let your imagination fly! I chose to draw some everyday objects to keep things simple and clear, but the sky is the limit with cubes. Go for it!

How to draw a cube from imagination – demo.

Happy cube drawing!

Well, that’s everything I have on how to draw a cube for now.

Thank you so much for hanging in there with me! It’s my goal to write for beginners, students, experienced artists, and hobbyists alike on this walk of art life, so I hope you found the content of my cube drawing tutorial helpful.

I truly appreciate the opportunity to be a guide and participant in your artistic journey, and I hope I’ve helped you make your cube drawing pop! I know you have a lot of options when you search the web, so thank you for spending some time on my little side line of the internet ❤. I hope you enjoy your cube drawing!

I’d love to hear from you, so if you have any feedback or questions for me, please leave them in the comments section below!

Take care, stay safe, and happy drawing!


More how-to-draw articles on CecelyV.com:

How to draw a circle

How to draw a sphere

How to draw a mushroom

How to draw a banana

How to draw a pumpkin

How to draw a pumpkin (A full and balanced tutorial for 2021)

How to draw a pumpkin featured image

In this “How to draw…”

Welcome to another “How to draw…” adventure! Today we’ll explore how to draw a pumpkin! There is a lot of variety, and a pumpkin can be more than you’d think. So in this drawing tutorial, please explore and learn with me, step-by-step, how to draw pumpkins and other squash.

First, we’ll take a brief look into what a pumpkin is, so we know something about what we’re drawing, then we’ll dive into exploration and study sketch activities with reference images.

What is a pumpkin?

My interaction with pumpkins happens during the fall, the time of year when we see many a Halloween pumpkin decorating neighborhoods all over the country. But, interestingly, the word “pumpkin” covers much more than a kiddo’s Halloween pumpkin.

A pumpkin is one of many cultivated species of winter squash. Pumpkins are native to North America and are one of the oldest cultivated plants in the world. We tend to think of the pumpkins that are round, smooth, orange ones with a ribbed pattern on their skin and a thick shell housing seeds and pulp.

These familiar pumpkins are part of the Cucurbita pepo cultivar, just one of the five cultivar categories of squash:

Many squash varieties look wildly different from our traditional Halloween pumpkin and are still called “pumpkins,” which gives us artists so much more to work with. 👏🏽The word “pumpkin” is interchangeable with the terms “winter squash” and “squash,” including summer squash. Botanically speaking, all pumpkins (even the Halloween ones 😉) are winter squash, and all are fruits because they are seed-bearing structures from flowering plants.

The fifth cultivar category, Cucurbita ficifolia, is biochemically different from other cultivars and more closely resembles a melon. While it looks and grows similarly to pumpkins, it is visually more melon-like, so I didn’t include it in this drawing tutorial. However, the process for drawing melons isn’t much different from pumpkins and other squash, so you can still learn how to draw the more melon-like squash with this tutorial if you’d like.

The uses for pumpkins and squash are quite broad, ranging from cooking and eating every part of the pumpkin to pressing its seeds for pumpkin seed oil, decorative and medicinal uses, competitive growing, and other competitive sports such as Pumpkin chunking.

Pumpkins frequently appear in our stories, such as Native American and Irish folklore, as well as in Autumn, Halloween, and horror-themed stories such as The Legend of Sleepy Hollow, The Runaway Pumpkin, and Christopher Pumpkin.

Pumpkin drawing: Understanding structures

We now have a decent idea of what a pumpkin is and what family, friends, kids, and all kinds of people do with them. With our background research done, it’s time to study the shapes and forms of a pumpkin and other squash.

Exploration and study

Our first step in studying a pumpkin is to gather some references and create a reference board. Some search time on Google is the simplest approach, but feel free to use mine if you’d like. The first image on the right here is of the Cucurbita pepo cultivar group. We can see quite a variety of shapes, proportions, surface textures, tones, and colors. For example, we can see spheres, ovoids, smooth textures, bumpy textures, pear-shaped, deeply ribbed, shallow ribs, ridges, and more.

The next group, Cucurbita maxima, includes the same wide variety of features and the unique Turban squash.

Turban squash

In the Cucurbita moschata group, we see squash varieties having more cylindrical, long goose-necked, and super bumpy surface texture qualities. In contrast, the Cucurbita argyrosperma group includes some very tear-drop shaped varieties.

This last reference I created focuses on the stem portion of a pumpkin. When your subject has multiple “parts,” so to speak, it’s helpful to have references for your study of each.

If you have live pumpkins and squash to practice from life, use those! Drawing from life is an essential skill and one of the Art Fundamentals.

Once you’re all set with references, start drawing what you see to get familiar with the natural variety of shapes. It doesn’t matter which reference you start with, and none of your sketches need to be rendered or “finished” in this step. The exploration and study of how to draw a pumpkin are all about seeing the common natural shapes and forms, their variations, and understanding how all the different forms are put together. The best way to train your eye to see these things is to draw what you see.

It’s beneficial and encouraged to begin with the most simple shape you can see for each sketch. We build forms from shapes and lines, after all. If you’re unfamiliar with forms, my Form in Art article goes in-depth on just that.

Time to put pencil to paper! Speaking of paper, I do most of my sketches by hand with a pencil and a sketchbook to keep things simple and clear.

Here are my exploration and study sketches for how to draw a pumpkin:

Normally, I’m not this neat in my sketchbook 😜. I clean things up, so it’s nice and clear for you guys, but I rather enjoy making an unholy mess in my sketchbook 😁.

You’ll notice that I drew the flat basic shape first to get an idea of the forms I’d need to construct, and then I went about constructing them–but even during construction, I still start with a 2-D shape and build from there. Then, once I have the basic shape, I begin to understand how the form construction needs to go.

For example, with the “traditional” pumpkin I started with at the top left of the first page of my sketches, it was initially challenging to learn to draw the ribbed forms we all recognize pumpkins for. It took some practice to get a feel for that particular how to draw a pumpkin step. Still, after a few sketches, it became clear that I had to 1) understand the shape and form of the “rib” first, and 2) understand how the “ribs” are positioned relative to the overall shape and proportions of the pumpkin.

The “rib” forms are essentially curving upside-down triangles–kind of like a puffy pizza slice wrapped around a sphere. During construction, that translates into wedge or talon-like forms of varying thickness and length wrapped around a sphere or bowl form. Here’s an example of what I mean:

It helps to line up the top and bottom of the “ribs” using ellipses, which is why you see plenty of ellipses, bowls, and circles in my sketches. The exploration and study process is intended to help you see the “bones” of the subject. When we know the primary shapes and variations, we can begin to design and construct with less reliance on our references.

Shape breakouts and natural variations

As I studied how to draw a pumpkin, I found common shapes for drawing any pumpkin or squash are:

  • a circle
  • an oval
  • a rectangle with rounded corners
  • a rounded crescent
  • a teardrop

We can start constructing and combining forms now that we have a shape profile to work from. I like to create a quick reference guide to the primary profiles and variations that I hope you find helpful as you learn to draw a pumpkin.

How to draw a pumpkin_Shape breakouts and natural variations

It’s straightforward when you compare it to the reference images. By studying my ref boards, I’ve paid close attention to what the distinct shapes and shape variations are and then draw each one. Next, it’s time to understand the common forms and construct them.

Construction

Form construction is about beginning to put the pieces of what we studied together. The slideshows below will walk you through a few how to draw a pumpkin construction demos.

How to draw a pumpkin - Step-by-step form construction demo 1

How to draw a pumpkin – Step-by-step form construction demo 1

This example features more of an elongated shape, but that’s okay. We can use whichever shapes we want 😉👍🏽. I always try to begin with a gesture line to add a sense of movement and character. Next, drawing from my reference guide, I add the basic shapes on top of the gesture.

The next step (second slide) is to connect them and then add contour lines (third slide) to add a sense of depth and volume. Lastly, I erase my construction lines and darken my drawing.

How to draw a pumpkin - Form construction demo 2

How to draw a pumpkin – Form construction demo 2

The process for the next demo is the same, and only the shapes are different. Once you understand your subject and the process, you can begin playing with the profile, silhouette, lines, angles, sizes, and proportions until you land on something you’re happy with.

I took this last form construction demo a little further to help segue into form dissection and interior forms in the next section. Like the other slideshow tutorials, the steps are the same, but I have added a couple.

You’ll find that as you add more complexity to your forms, the steps are repeated, and the only thing that changes is the size and nature of the information you’re adding.

We begin with the largest shapes to build the primary and largest forms first, and from there, we repeat the process with the next largest (or medium-sized) ones on top.

How to draw a pumpkin - Form construction demo 3

How to draw a pumpkin – Form construction demo 3

This final how-to draw a pumpkin construction demo gives you a brief look into how the process repeats. After step 3, a simple form has been built, and it’s ready to be added onto.

In steps 4 and 5, I repeat the same steps, adding simple lines and shapes on top of my initial form to add another layer of complexity and interest that gives a better visual description of the pumpkin’s form.

In step 6, I add the contour lines that give me divisions in the form that I can then cut away for step 7, drawing a rough indication of the interior.

Form dissection and interior forms

At this point, we know how to draw a pumpkin! But do we know how to draw a pumpkin on the inside? 🤔

Not to worry! We still have our trusty ref boards with images that give us an idea about what’s going on with a pumpkin’s interior. I didn’t do a super in-depth rundown of the interior, but the process is still the same as above using the seed interior body information we find in the references.

Here are my examples of form dissection and a little bit of fun with the interiors.

A word about details

All the most fun and interesting things to draw have plenty of details that give them their character and make them look really cool. But, for all that they add, details only make up about twenty percent of your drawing–and they take up about eighty percent of your time.

That’s one of the reasons they should be left for the end.

Plus, no matter whether you’re learning how to draw a pumpkin, a mushroom, or anything else, all details (smaller forms & patterns) sit on top of larger forms that must be worked out first.

I don’t count light and shadow or color as details, and they are each their own thing and deserve dedicated articles to explain and demonstrate what they entail.

For clarification, I’ve included some sketches as an illustration of the difference between primary forms and detail forms.

Pumpkin drawing tutorial: How to draw a pumpkin step-by-step

How to draw a pumpkin_Step by step 01a

Step 1: Thumbnails & Gesture lines.

Start with some small thumbnails, and then, just as before, add a gesture line and shapes.

Thumbnails of the simple shape combinations you want to use offer a helpful roadmap for your form construction. After that, a gesture line (also called a “line of action”) will help add a sense of movement and life.

Remember, you’ve studied pumpkins and squash, so play around and enjoy!

Feel free to follow along and copy my sketches to get started, but I encourage you to take these examples and apply them to any design you want! You’ve got this!

How to draw a pumpkin_Step by step 01b

Step 2: Another Gesture line!

It felt necessary to add a second gesture line for the top area.

There are times it feels more dynamic to have an additional gesture armature to build on.

How to draw a pumpkin_Step by step with callout 01c

Step 3: Add the basic shapes.

These will be the basis for our largest form, the pumpkin’s body.

Compare what we have now to our little thumbnail in the upper lefthand corner, and you’ll see we’re quite close to the idea there.

How to draw a pumpkin_Step by step with callout 01d

Step 4: Shape adjustments.

Here I added another circle and ellipse to adjust the overall contour in the front and back of the form.

The green ellipse will add a “rib” bump in the rear that we can see from the front, and the orange circle in front will add more depth.

How to draw a pumpkin_Step by step with callout 01e

Step 5: More shape adjustments.

I jumped the gun a little bit here and started filling out the stem form😅 , but we can roll with it!

The orange ellipses show where I added the top and bottom planes, and the green lines in the middle show how I connected them to create the stem.

How to draw a pumpkin_Step by step with callout 01f

Step 6: Contour tweaking.

No matter how you start, you can always tweak and adjust things to suit what you want them to look like.

I decided my overall form looked a little too round and soft for my taste, so I decided to use a few divots and curves to create more interesting plane shifts.

How to draw a pumpkin_Step by step 01g

Step 7: Clean up & darken.

At this point, my sketch felt finished, so I cleaned it up a bit and darkened the lines I wanted to keep in the design.

I didn’t erase all of the construction lines this time. Sometimes, when you’re not adding light and shadow, contour lines, or a lot of detail, leaving light indications of the construction lines can increase the sense of depth.

I decided to make this how to draw a pumpkin article a little more robust since there are so many varieties out there. More variety means more practice! So here is another how to draw a pumpkin step-by-step tutorial!

How to draw a pumpkin_Step by step 02a

Step 1: Gesture line!

Don’t worry; I practice what I preach! The thumbnail sketch for this how to draw a pumpkin example is at the top right in the 1st one above. Take a peek; you’ll see 😉.

How to draw a pumpkin_Step by step with callout 02b

Step 2: You know the drill! Add those shapes!

This is still how to draw a pumpkin, and the process goes on like a good beat.

I added the ellipses for the top and bottom planes of the stem and a narrow trapezoid shape to act as an envelope for the shape I’m after.

How to draw a pumpkin_Step by step with callout 02c

Step 3: Motto, motto!

Next, I put in circles to continue building the form.

How to draw a pumpkin_Step by step with callout 02d

Step 4: Building out other forms.

We know there’s a stem, so let’s get it in there!

How to draw a pumpkin_Step by step with callout 02e

Step 5: Connect!

How to draw a pumpkin_Step by step with callout 02f

Step 6: Build more on top.

I added the “ribs” for more form complexity and interest and to bring home the “pumpkin” feel.

How to draw a pumpkin_Step by step with callout 02g

Step 7: Contour tweaking.

I wanted to change the overall contour, so I did that here.

How to draw a pumpkin_Step by step 02i

Step 8: Clean up and darken.

At the risk of OD’ing you on step-by-steps, I created a few that go through the same process with the stem forms.

Don’t worry; I know you’ve got this how to draw a pumpkin stuff down by now. I’ll put the rest in as simple visuals so you can peruse them at your leisure 😉.

Another how to draw a pumpkin stem demo–this one is more fun!

One more, and then I promise I’ll be done with the how to draw a pumpkin stem stuff.

How to draw a pumpkin from Imagination

Guess what? Except for the exploration and study sketches, most of the pumpkins from my demos have been drawn from imagination!

I used my references for inspiration, but the rest came from my brain 😎. It’s an awesome feeling, and I bet you’re experiencing it, too! You’ve seen the process many times by now, so keep drawing and experimenting!

How to draw a pumpkin in Perspective

I know I’ve drilled this process into you ad nauseam at this point, so I won’t pile on with the more technical practice of Perspective. Instead, I’ve included a visual walkthrough.

Here are some 1-point perspective examples:

Here are some 2-point perspective examples:

How to draw a pumpkin from imagination: Sketching in Perspective.

I drew all these perspective sketches from my imagination. Now, for my 3-point perspective example, I decided to push things a little more fun.

Light and shadow: How to light your pumpkin

Light & shadow, like Perspective, is a whole other conversation on its own. So in my Fundamentals of Light series, I’m covering all the stuff and gubbins of light and shadow (slowly though, cuz it’s huge!)

In the meantime, here’s a lighting demo for the sketch I did above in 3-point perspective.

A word about color

Later…

I did say, “A word.” 😂

In all seriousness, I prioritize solid drawing skills before painting and using color because those things must live on a solid drawing with solid forms.

Playing with pumpkin drawings: Exploring shape language and style variations.

Drawing is fun! So have fun and draw some funky pumpkins!

Here are a few of mine. I gave some of them a body, a face, a mouth, a nose–oh, my! I made pumpkin characters and even a cartoon pumpkin or two 😊. See? Fun!

Now, you try! 👍🏽👊🏽

How to draw a pumpkin teacher, signing off!

Thank you so much for having the patience and intestinal fortitude to stick with me to the end! I appreciate you spending some of your time with me and my how to draw a pumpkin drawing tutorial. I know it was long, and I hope you’ve found it helpful.

If you have any questions or feedback for me, please feel free to leave them in the comments below. I’d love to hear from you guys, and I hope you’ll join me for another “how to draw” adventure!

Take care of yourselves and happy drawing!


More how-to-draw articles on CecelyV.com:

How to draw a circle

How to draw a cube

How to draw a sphere

How to draw a mushroom

How to draw a banana

How to draw a mushroom (A clear and complete tutorial for 2021)

How to Draw a Mushroom_Featured Image_June 2021

In this “How to draw…”

Welcome to the first of my “How to draw…” drawing tutorials!

In today’s “How to draw…”, we’ll talk about how to draw a mushroom! I’ll cover everything you need to create your own mushroom drawing and explain the different kinds of forms your mushroom drawing will need, like mushroom caps, stems, and rings.

I’ll cover how to draw a mushroom from basic shapes to form construction, from imagination, in Perspective, how to light your mushroom, and more.

Just a heads up, this is not an easy drawing tutorial. It’s not difficult, but it is technical. I’m a professionally trained Designer, Illustrator, and Concept Artist, and my explanations tend to be technical and thorough. There is more than one step-by-step guide here. My goal is to teach you to create a different kind of mushroom drawing–your own! I want to teach you to draw every different kind of mushroom you want, in various sizes, so your mushroom drawing looks like whatever you want it to.

I’d rather not give you a static template to copy. Where’s the fun in that? Also, I don’t think it counts as teaching if I say “copy this,” you know? After this drawing tutorial, you won’t need another step-by-step guide.

If you want easy drawing tutorials, this may not be the article you’re looking for. If you like a thorough step-by-step guide and drawing tutorials that teach you to draw whatever you want, I got you! It’s a different kind of drawing tutorial, and I hope it works for you. 😉

There’s a lot to get into, so let’s get started!

What is a mushroom exactly?

It may not seem obvious, but it’s important to know what you’re drawing, and that means learning a bit about your subject. After all, it’s impossible to draw something you know nothing about. So, let’s talk about what mushrooms are.

A mushroom is “the fleshy, spore-bearing fruiting body of a fungus, typically produced above ground, on soil, or its food source” (from Wikipedia). When we refer to mushrooms, we’re usually referring to those with a stem (or stipe), a cap (pileus), and gills (lamellae) on the underside of the cap. The gills produce spores that help the fungus spread.

There are over 50,000 mushroom species globally, and they tend to be grouped into four general categories: edible mushrooms, toxic mushrooms, psychoactive “magic” mushrooms, and medicinal mushrooms.

Mushrooms represent food, a hobby (mushroom hunting), or fantasy entertainment as part of stories like Alice in Wonderland, characters like Toad from Nintendo’s Super Mario, or part of the deliciously drawn food in anime series’ such as Food Wars!: Shokugeki No Soma. Fantasy allows us to play with what a mushroom could be.

Before we play in possibilities, let’s explore and study the structures that give mushrooms their character.

Mushroom drawing: Understanding the structures.

To draw a mushroom from imagination, we must first study the shapes and forms that create its structures. Once we understand the basic anatomical structures, we can draw mushrooms in any way we choose. Let’s begin by gathering references to study.

Exploration & study

The first step in exploring and studying a subject is to find or create references to study from. For this step, I recommend creating a reference board.

Here is the reference board I created:

How to draw a mushroom-Reference board

I create my reference boards in Photoshop, but I imagine it works in any digital painting application. A reference board is essentially a collage of images. It can also be created with a Google image search (or books), a printer (or copy machine), scissors, poster board, glue, and plenty of patience.

As you follow along here to practice how to draw a mushroom, please feel free to use my reference board.

To learn how to draw a mushroom, we need to really observe what mushrooms look like naturally. First, look for repeating shapes and consistent characteristics, like how a mushroom’s cap is always on top of the stem. Then, look for naturally occurring variations in the shapes, like how a mushroom stem can be long and thin or short and thick, etc.

Step 2 for learning how to draw a mushroom is to draw several from reference (or from life) to understand the shapes and forms that make up its anatomical structures and how they are put together. Again, it helps to keep your earlier observations in mind as you draw.

Here are my exploration and study sketches for how to draw a mushroom:

How to draw a mushroom_Exploration & study sketches

It’s helpful to draw the flat shape combinations you see literally. As you can see in my sketches, I drew small flat versions next to each study. This helps me get an overall grasp of which shapes are present in the subject.

The major structures of a mushroom are:

  1. Mushroom cap
  2. Stem
  3. Ring
  4. Gills

There are other areas to note, such as the margin and scales on the mushroom cap, but it’s easy to tell that these are much smaller shapes–which makes them details, and we leave those alone until we get toward the end of our process.

Two more forms grow underground, the Cup (Volva) and Mycelial threads, and they look cool–but if it grows underground, it’s less likely to be visible. If it grows underground, we don’t often see it and are less familiar with it–so it’s less likely to make it into your design. If you’d like to study these forms, you can find references here.

Here are a few more of my mushroom studies:

How to draw a mushroom_Exploration & study sketches 02
How to draw a mushroom_Exploration & study sketches 03
Skirt up and Oyster mushrooms! (That’s what I call them anyway 😂)

Remember, these are studies to help you understand mushroom shapes and forms. So I encourage you to let loose! I mean that literally–draw loosely! These are for your learning, so they should be whatever you need them to be. I make a hideous mess in my sketchbook when I’m trying to understand something, and that’s fine.

I had to clean things up to make them clear for this tutorial, but otherwise, my sketchbook looks like a messy sanctuary of notes and funky drawings. I love it 😋

Your sketchbook is where you can think out loud on paper and be yourself. There is no need to censor yourself. ❤

Shape breakouts and natural variations

After drawing several mushroom studies, you’ll understand how to draw a mushroom well enough to begin breaking out the shapes and natural variations of major mushroom structures. I like to think of it as visual tinkering. 😊

Let’s ask ourselves: what are the basic shapes and shape variations for those structures? Let’s have a look:

How to draw a mushroom_Shape Breakouts & Variations

Each mushroom structure has a limited variety of shapes. For example, a mushroom cap appears most often as either a lima bean, a half oval or ellipse, a fat crescent, cone-like, or an upside-down and rounded trapezoid shape.

A stem, the second mushroom form of import, has a box or rectangular shape (which makes a cylindrical form) and can vary in length, width, and proportion. A mushroom ring (annulus) is usually a conical skirt shape, and in some cases, can look like a tube wrapped around the stem near the base of the cap. Lastly, mushroom gills resemble exposed fish gills, but it’s simpler to see them as a pattern of lines or skinny wedge shapes for drawing purposes.

I know this sounds technical and nuanced. That’s intentional. My goal is to help you draw mushrooms any way you want. I’d rather offer you wings than limit you to a static template to replicate.

Our next step is to construct mushroom forms using the shapes we observed from our studies.

Construction

Form construction is essentially the process of connecting shapes with lines and other shapes. Beyond that, advancing your drawing involves adding movement and volume with contour and cross-contour lines, gesture, and light & shadow. It sounds like a lot, but with practice, you’ll get the hang of it! 👍🏽

Let’s build some mushroom forms!

Below I’ve demonstrated the form construction process using the knowledge and shape information from my study sketches. Now I can create mushrooms that look any way I want, and so can you!

How to draw a mushroom_Construction - Shapes to forms 01

I started with the standard white mushroom you can find easily in a grocery store and constructed a cap slice.

Step 1 was to draw the shapes that help define the overall form.

In step 2, to create the lima bean form with depth and volume, I drew another set of the same shapes on top but slightly shifted down and to the right. This creates the space between the shapes that give us the illusion of depth and volume once we connect everything.

Adding contour and/or cross-contour lines helps reinforce the sense of depth and volume of the form.

How to draw a mushroom_Construction - Shapes to forms 02

In my second mushroom form construction demo, I chose a cone-shaped mushroom cap and repeated the process. Again, I began by drawing in the form’s major shapes: a circle first, then an exaggerated arch, connected by an ellipse.

Once again, I used contour lines toward the end to add to the illusion of depth and volume. I also added a circular “lip” on the views that show the very bottom of the cap. This gives a sense of thickness, which aids the illusion of volume.

How to draw a mushroom_Construction - Shapes to forms 03

For this mushroom drawing demo, I chose a slightly oblong half oval shape. The process remains the same. I used two different sized circles to create the oblong feel of the shape and enclosed them with lines to connect them. To create depth, I added an ellipse at the base that connects the two corners of the oval. Next, I added a smaller ellipse to create an opening for a stem and a plane change boundary for the gills.

I constructed a few mushroom stem forms with the same process. The stems tend to be cylindrical, but sometimes they look almost completely round.

As a rule, I like to create my demos in traditional media because 1) it’s best to start learning with traditional media and get really familiar with sketching in your sketchbook, and 2) I don’t want anyone to think they need digital tools to learn how to draw. You do not need digital tools to learn how to draw a mushroom or anything else. I have suggestions about tools for beginners, but digital can be a later thing.

That being said, I created this next sketch on the fly digitally (as I was writing😅) because I felt there should be a construction demo that included both major mushroom forms: the mushroom cap and the stem. The very bottom of the construction demo section seemed like a good place for it, too.

How to draw a mushroom_Construction - Shapes to forms 04

These demonstrations are of basic form construction. Additional shape information can make the forms more complex add detail, but I strongly encourage you to make a habit of first getting comfortable studying and constructing the larger forms. Details and complexity live on top of major foundational forms. They don’t exist on their own.

A word about details

Details are a treat for the eyes and can be fun to draw, but for as much attention as they command, their place in the process is toward the end.

Here’s an example along with the original reference:

I’ve shown the major forms for the mushroom cap, the stem, and the plane for the gills in my sketch. The mushroom on the left of the sketch is an example of the major forms without details, and the mushroom on the right has some of the details drawn on top of the major forms. Details add fun, interest, and more information–but we can still tell the drawing on the left is a mushroom without them.

I highlighted the details on the right-hand side mushroom and then broke them out independently. When details are the focus, they give very little information about what the actual subject is.

Sometimes additional details are necessary for clear visual communication. For example, when you’re drawing the inner portion or the dissected view of your subject. However, since mushrooms already have a large variety of possible surface texture shape information, I chose not to dive into inner portion or dissected view drawings for this drawing tutorial.

How to draw a mushroom from Imagination: Invention and Experimentation

At this point, you know how to draw a mushroom! Congratulations!

Let’s tackle how to draw a mushroom from imagination! Don’t worry; the process is still the same! The only difference is that now you choose the gesture and shapes your mushroom drawing will have. You’ve got this!

I find it helpful to play around with shape combinations before settling on a shape design to construct. Time to use what you’ve learned and using it to develop your own ideas! Booyah! 👊🏽

Here’s an example of my ideation and playing on paper:

If you want to try more adventurous shapes with your sketches to get a different kind of look, go for it! I kept it a little low-key here to ensure everything stayed clear, but I encourage you to try whatever variety, character, and zest you want!

Once you’ve developed an idea you like, follow the same process to build your forms. I’ll demonstrate with one of my sketches from above by going through how to draw a mushroom step-by-step.

How to draw a mushroom Step-by-step

Step 1:

With your rough sketch next to you, lay down a gesture line (curved line) to start building from. Since my mushroom is upright, I used mostly vertical lines. The gesture line will add a sense of movement and character to help your drawing feel more dynamic.

How to draw a mushroom_Step-by-step 02

Step 2:

On top of your gesture line, add the basic shapes that make up the form you’re building. Here I’ve added a circle at the top for a rounded tip, two curved lines for a curvy cap of the mushroom, and a circle at the bottom for the base of the stem.

How to draw a mushroom_Step-by-step 03

Step 3

Next, it’s time to add the illusion of volume and depth by connecting the basic shapes. I’ve added an ellipse at the mushroom cap base and connected the ellipse of the stem base with the circle at the top of the mushroom cap.

How to draw a mushroom_Step-by-step 04

Step 4

With all the major shapes and forms roughed in, now is a good time to build in the form information for smaller structures like the mushroom’s ring. If you want more shape info for your mushroom drawing, like scales on the mushroom cap, this is a good stage to begin blocking those in.

How to draw a mushroom_Step-by-step 05

Step 5

At this stage, with most, if not all, of your forms roughed in, it’s a good time to start “truing up” or darkening the lines of the major forms for your final mushroom drawing.

How to draw a mushroom_Step-by-step 06

Step 6

I lightly blocked in the mushroom gill pattern. Following the gesture established earlier, I used vertical lines to create the gill pattern. You can do this step earlier than I did if you prefer. I made it a separate step for clarity’s sake.

How to draw a mushroom_Step-by-step 07

Step 7

I darkened the gills and added some thickness to the bottom margins of the mushroom cap and ring.

How to draw a mushroom_Step-by-step 08

Step 8

As part of the finishing stage, I erase the construction lines.

How to draw a mushroom_Step-by-step 09

Step 9

I used cross-contour lines to add depth and give more plane-change info. You don’t have to do this, but it does come in handy when you add light & shadow.

How to draw a mushroom in Perspective

Don’t worry; I’m not going to squish an entire lesson on Perspective drawing into a how to draw a mushroom tutorial. Perspective is its own thing, but I thought some examples of a mushroom drawing in perspective might be helpful.

Start with a horizon line, a vanishing point (VP), and some squares to set up boxes of various sizes in one-point perspective.

How to draw a mushroom_in one point perspective 04
Divided boxes in perspective

Once I’d drawn my boxes, I divided them to match my mushroom design proportions. This made constructing my design in perspective a bit easier.

How to draw a mushroom_in one point perspective 05
The process of constructing forms stays the same once you’ve set your perspective.

I begin constructing my forms with the same process as before. The only difference is that shape placement needs to happen within the bounds of the boxes and planes to maintain the perspective.

How to draw a mushroom_in one point perspective 07
How to draw a mushroom in perspective, complete!

The process for how to draw a mushroom doesn’t change for two or three-point perspective, but the set up for the perspective does change. I’ll cover perspective in separate articles, but I wanted to visually demo the process for you.

Here’s two-point perspective:

And here’s three-point perspective:

How to draw a mushroom from Imagination: Sketching in Perspective.

I thought it would be fun to demo how to sketch in perspective briefly. So I created my own perspective grids in Photoshop, printed them, and sketched on top of them. The basic idea is that your lines need to go in the same direction as the grid lines, and from there, you construct forms. I chose two-point perspective for this demo.

Light and Shadow: How to light your mushroom

Now that your sketchbook is overflowing with fabulous mushroom drawings & designs, of course, you’ll want to pick your favorites to take to finish! That means adding light and shadow.

I created a visual step-by-step demo below for how to light your mushroom design. For more in-depth info on light, please check out my Fundamentals of Light series.

A word about color

It was tempting to break out the colored pencils after this light and shadow demo, but…I firmly believe that Color & Light, like Light & Shadow, are their own thing. Using colored pencils here would certainly add another dimension to the sketch, and if that’s your jam, then go for it! I prefer to dive into that separately to help all my readers build a solid drawing foundation, and I think whipping out the colored pencils would distract from that. So, that’ll be a “later later” thing for me. 😜

Fun with mushrooms: Exploring shape language and style variations

I thought it would be fun to show other types of shape language examples to wrap things up. My default is representational drawing, but that’s not everyone’s jam. Plus, we have to speak different shape languages, so here are some fun sketches I came up with to play around with different kinds of shapes in various sizes.

How to draw a mushroom_shape variations_anime-manga style

Anime/manga shape language

The shape language for anime and manga seems a little more “realistic” to me in how characters and other subjects are drawn, but just like other cartoons, it’s also very light on detail. It’s also exaggerated, of course.

This is my version of an anime/manga style set of mushrooms.

How to draw a mushroom_shape variations_cartoon style

Cartoon shape language

The shape language for cartoons tends to be pretty flat, with very exaggerated shapes to fit the story’s tone. As a result, you can really stretch believability, experiment with different kinds of designs, and have a lot of fun.

This is my version of a couple of cartoon character mushrooms.

How to draw a mushroom, signing off!

Well…I’m exhausted, how about you? 😂😉

That was a lot of stuff, I know. As always, Thank you so very much for hanging in there with me. There are so many options out there for drawing tutorials. You could’ve chosen any drawing tutorial, easy drawing tutorials, but you chose mine and hung in there with me. Thank you.❤ You are awesome!

I sincerely hope you found this article helpful and that you now feel more confident about drawing a mushroom. Please remember to have fun with it! This is your art, and it’s about you. Enjoy it! ❤

If you have any questions or feedback, please leave them in the comments below. Thank you again, and happy mushroom drawing!


More how-to-draw articles on CecelyV.com:

How to draw a circle

How to draw a cube

How to draw a sphere

How to draw a banana

How to draw a pumpkin

Confident Understanding of Form in Art 2021 (Clear & Easy)

form in art

Greetings!

Thank you for visiting me at CecelyV.com! 😊

I appreciate the opportunity to share what I know with you and contribute to your art journey! Since you’re here it means you want to understand more about form in art, so let’s dig in.

Line, shape, silhouette, and form are just a few elements of The Fundamentals of Art. A firm understanding of how to use and express form in art is essential. The use of form in art is primarily a tool of representational art.

For visual storytelling, our forms need to be on point so the story is felt and understood. Nearly all our sensory experiences connect us to forms and light, and heavily inform our understanding of people and the world around us. Visually expressing form in art helps us connect our stories with our audience.

What is Form in Art?

Simply stated, form is anything whose physical nature includes length, width and depth. The clothes we wear, the food we eat, vehicles, our tech, tools, nature, and more all have a physical form.

Not all of our sensory experiences are visual things, like scent and sound. We don’t “see” the way a pizza smells or the way a bell sounds, but we can draw the source of these sounds and use form in art to connect with our audience’s experiences.

Lines, shapes, and silhouettes help us build and “sculpt” form in art and visually connect us to our audience.

Drawing Comparisons: How I Like to Explain the Elements of Art vs. YouTube or Other Websites You See

In the searches I have done throughout the years, I have encountered a lot of frustration with surface-level information. A general, top-down overview may be enough to get started, but as we dive deeper into our craft, we need more.

Sometimes we need the nuances of our discipline to help us grow past the walls and challenges we encounter. Some of these reveal themselves to us in the doing, which is awesome. Other times, we could use a little more help. Finding awesome-looking YouTube videos that explain nothing, while showing off nice painting skills with pleasant background music, has not been something I’ve ever found terribly helpful.

It’s most helpful to have a window into the process. Understanding aids our practice and helps us build our own processes—which is one of the most challenging aspects of being an artist.

My goal is to share what I have learned with a good balance of the academic and scientific, the practical, the nuanced, and the fun. I want to share the knowledge you can actually use.

Shape and Form in Art

 To understand form in art, it’s important to grasp its building blocks: lines, shape, and silhouette.

Silhouettes are combined solid, monotone shapes (most often in black) whose edges match the outline (outside contour) of the form(s) they represent.

Shapes are simplified, flat versions of form that are created using lines. Shapes are created when lines connect to enclose space. Often the space contained within the line(s) is referred to as “positive” space, while the space outside the shape itself is called “negative” space. “Negative” space can also create shapes and interesting contours.

Lines define the edges. Contour and cross contour lines are useful for giving additional information about the surface volume and plane changes of an object, which guides us when adding light and shadow. Variations of line type and line quality can be used to describe texture and weight.

For our purposes, a line is generally defined as a discernible, one-dimensional path created by a point moving in space. Lines vary in length, width, direction, and texture (smooth, rough, broken, dotted, etc.). They can be solid and visible or implied and invisible. If you can “see” or discern a connection/progression between points or objects, then a line is present.

The Five Main Types of Lines in Art

There are five main types of lines in art:

  • Horizontal Lines
  • Vertical Lines
  • Diagonal Lines
  • Curved Lines
  • Zigzag Lines

A line’s directionality affects the “feel,” impact, and energy of a composition, as well as the language of the shapes you use. Lines are a powerful tool for guiding our viewer’s eye through the story of our image and infusing a sense of movement within our work. I spoke of the versatility of lines earlier, and there are tons of different ways to draw lines and combine line types. It is a fun doodle adventure to see how many combinations you can come up with. Here are a few of my own continuous line doodles:

In these examples, I use a continuous two-dimensional line to see how far I can push the organic and geometric possibilities of a line. I used black on a toned background and focused on creating as many variations of line direction and weight as I could think of at the moment.

As you can see, the variety of the directionality and weight of the lines makes the “feeling” of the lines change: Some feel heavier or darker than others, and some feel more dynamic and energetic. Line quality affects mood and form in art.

Line Type in Art Direction and Weight Shift Shape Examples

Drawing with constant direction changes, as in the zigzagging and wavy lines you can see here, makes these patterns and open shapes feel more energetic and chaotic, or like they are “buzzing.”

By combining the five main types of lines in continuous line drawing, you will see how far you can use lines to explore two-dimensional geometric and organic shapes and patterns in your work. Practice like this also gives you a sense of the kind of shape language and line quality you like, which will inform how you create forms and objects in your drawings.

For another viewpoint on Line in art, here is a video from KQED Art School:

Exploring Shapes: An Important Element of Art

Let’s talk more about shapes. By my count, there are at least 21 distinct basic shapes and dozens of shape combinations classified as mathematical 2D shapes. I didn’t think there were that many until I started researching it, but, helpfully, they each fall into two categories: Polygonal or Curved.

I compiled my own list into the table below and added a sketch of each for visual reference. Having a robust shape library helps us define form in art.

Polygonal ShapesCurved ShapesOther
TriangleCircleMagatama
SquareSemi-circleAsteroid
RectangleOvalSpiral
RhombusHeartFigure eight (lemniscates)
ParallelogramCrescent 
Trapezoid  
Kite  
Pentagon (5 sides)  
Hexagon (6 sides)  
Heptagon (7 sides)  
Octagon (8 sides)  
Star polygons  
2D shapes

Most, if not all, of the shapes above are likely familiar to you. Lines help us make these shapes, and adding depth to each helps us create forms in art. When not being used to construct form in art, shapes are often used for patterns, details, and/or to add or imply texture.

In this next video, KQED Art School does a good job of further illustrating what shape in art is:

I have some visual examples coming up later in this post that should help clarify everything I’ve been discussing, so now let’s dig into a bit of the nuance of form in art.

The Five Basic Forms in Art

There are 5 Basic Forms: The Cube, Sphere, Cylinder, Cone & Pyramid.

 Shapes become forms when depth is added.

  • A circle can become a sphere or a cylinder.
  • A square can become a cube or a pyramid.
  • A triangle can become a cone or a prism.
  • A rectangle can become a cube or a cylinder.

Which form each shape becomes depends on your intent, and its proportions will depend on which perspective you use and where the form sits concerning the horizon line.

Here are a few examples I created in one- and two-point perspective:

Shapes and Forms in Perspective 01

   In two-point perspective, all the forms you create begin with cubes/boxes. In one-point perspective, you can begin with any shape you like.

Shapes and Forms in Perspective 02
Shapes and Forms in Perspective 03-Cylinders

Here’s one more video from KQED Art School that has more great examples of what form in art can look like:

The Five Basic Forms in Nature

The five basic forms are geometric and mathematical, and geometric forms are frequently described as “man-made.” Regarding objects we typically draw as artists, this is probably accurate. However, I don’t want to leave it because it limits our thinking as makers and creators. Geometric forms are found in nature in a variety of areas. So far, I have found that all but one of the five basic forms, the pyramid, frequently occur in nature.

I have only found one example of the pyramid in mineral/gem/crystal formations, and even then, it’s rare. Shapes, silhouettes, and forms are all naturally occurring things observed every day in our world.

Let’s take a look at some examples of the five basic forms as they occur in nature.

Basic Forms in Nature-Grapes
Grapes are naturally occurring spheres.
Basic Forms in Nature-Grapes
Many plants have cone shapes as part of their “fruit” structures.
Basic Forms in Nature-Cubes
Minerals, rocks, and crystals will have cubes, prisms and pyramids as part of their natural structures.
Basic Forms in Nature-Prism & Pyramid
A natural geode can have several prism and pyramid-ish forms.
Basic Forms in Nature-Cylinder
Tree trunks and branches are common examples of cylinders in nature.

Organic Forms and Geometric Forms

Forms in nature are organic and tend to be curvy, free-flowing, and have much more variation in their forms, patterns, and textures. They are also less easily measurable than geometric forms. My own preference is for organic forms. I find organic forms to be the most unique, dynamic, and extremely fun and challenging to draw. Geometric forms can be just as fun and interesting, though I think their mathematically defined natures lend them more to stabilizing and structural uses than dynamism.

Form in art: Breakdowns

First, we need something to draw! I have tried to go about this in an orderly way–going from quite simple to complex forms from one example to the next. I have tried to use easy to find everyday objects for each. For this type of demonstration, I’ve included the unedited reference, then the silhouette, a breakdown of the basic flat shapes, and finally, a form drawing with contour lines.

Form Breakdown-Leaf
A simple leave with its silhouette, basic shapes and contour versions. Most of the leaf’s volume is in its stem. This one of the easiest examples of form in art.
Form Breakdown-Teacup and Saucer
A teacup is a slightly more complex form than a leaf. By breaking out the silhouette, basic shapes, and form shapes, we begin to understand the volume of each part of the cup and saucer. Adding complexity helps us practice form in art.
Form Breakdown-Boots
Breaking out the visual elements works from any angle. Understanding the placement and function of each part of a form helps us to more easily draw the object from any angle.
Form Breakdown-Train
Breaking down forms into simple shapes for the start of your drawing helps you get a better handle on how to draw form in art. Trains have a lot of parts, and each is a form. For the sake of time, I haven’t broken down every single form visible in the reference, but there should be enough be clear.
Form Breakdown-Human Head
It doesn’t get much more complex than the human head. Even so, breaking out the basic shapes first helps give you a foundation to build on. As a complex organic form, the human head has forms on top of forms, and plenty of cross contouring, so it’s a good subject for practicing form in art.

Subjects Without Form: Those Tricky Elements and their Form Changes

Things like water, air, smoke, and fire are not your standard forms. Due to their varied and shifting natures, all the elements are a little more challenging to depict. Being without solid, static forms, they change depending on circumstances and external influences and conditions.

Water, for example, conforms to whatever container it’s in—whether that’s an inorganic glass or a natural container like the Earth (like a lake or a pond). It’s also somewhat self-containing in that it sticks to itself—which is how we get water drops and puddles.

Smoke and gases have volume, but their most defining features are scent and motion. The forms smoke and gases take also depend on what their origins are. Smoke from an explosion or a fireplace has a completely different look compared with smoke from a cigarette or a candle.

Fire also has no static form. The shapes and forms of fire depend very much on whatever is being burned. A wildfire has a much larger, more energetic form than a campfire or a fire from a lighter. All of these are types of fires, but drawing each form in art would require varied handling.

Finally, we have Air. We cannot draw or paint air—it is an invisible messenger. We can only draw its effects and some of what it carries. Air affects how we draw all the other elements and objects present in a scene. For example, we can draw the dust, leaves, and other debris that can be carried on the wind.

How we draw the things carried in the air determines the quality and mood of the atmosphere we are depicting. A scene with a gentle spring breeze has quite a different impact than a howling storm.

Water Splash and Droplets
Water
Without Set Form-Smoke
Smoke
Without Set Form-Fire
Fire
Without Set Form-Air
Air/Wind
Without Set Form-Earth
Earth/Dust

Adding Depth to Create Form in art: A Brief Word on Light & Perspective

Since I just mentioned it, now is a good time to go over some basics of The Fundamentals of Light.

When it comes to the physical world, the only reason our eyes see anything at all is because of light. Until we add the elements of space and light to shapes, they appear flat on our page.

Light and shadow help objects feel “grounded” in the picture plane, so they don’t appear to be “floating in space.”

Adding Depth with Light & Shadow

Lines and shapes serve as early starting points to begin drawing and orienting form in art. In the following step-by-step examples, I show the process of going from a “flat” circle to the illusion of a three-dimensional sphere using light and shadow.

Light and shadow demo
Final lit sphere

This is a completed basic light demo with a sphere. Sometimes it helps to begin at the end, so you know where you want to end up. Next, I’ll break out the steps I used to arrive here.

Basic Light and Shadow Demo 01-plain circle

Step One:

Create a solid circle shape.

I used a toned background because it helps me see the contrasts of light and shadow much more easily than a white background.

Basic Light and Shadow Demo 02-add light source and light guide

Step Two:

Decide on your light’s source, direction, and angle.

There are several properties involved with light, but I recommend keeping it simple for this exercise.

I’ve chosen a light source similar to the sun but with a more white hue and much less intense.

Basic Light and Shadow Demo 03-add center light

Step Three:

Add light to the shape’s surface.

This begins to give the first indication of depth by putting one side in light and the other in the darker mid-tone of the shape’s local tone.

Basic Light and Shadow Demo 04-add form shadow-terminus-core shadow

Step Four:

Begin adding the half tone and form shadows.

Form shadows include the terminus/terminator and core shadow. The characteristics of form shadows depend on the number of light sources and their properties.

Basic Light and Shadow Demo 05-add cast shadow-occlusion shadow

Step Five:

Add the cast and occlusion shadows.

The cast shadow is the shadow created by the object blocking the light, and the occlusion shadow is the darkest area of shadow where no light can reach.

Basic Light and Shadow Demo 06-add highlight-reflected light

Step Six:

Add the highlight and reflected light to your object.

The highlight is a small area on the object that receives the most direct light from the light source, and the reflected light is an area that is receiving a small amount of illumination from the reflection of the light source when it bounces off the ground plane and/or other objects that may be present in your scene.

Basic Light and Shadow Demo 07-Sequential

Laid out next to each other, it is easier to see the progression from a flat 2D shape to a 3D sphere with light and depth.

Adding Depth with Space

Another way to begin adding depth to your shapes is to use space and perspective. Drawing into space can add depth to a shape without using “proper” perspective. How you choose to add a sense of depth to your drawings really depends on your goals. For representational art, accurate perspective is a must for your finished product—but not when you’re just sketching to get ideas out.

When you are sketching for fun, or just trying to flesh out your understanding of an object’s forms, perspective is not necessary. These are simple, quick, and sketchy examples.

For these form in art exercises, I focused on turning each shape into a form by extending them out in space, adding planes and contour lines, and adding some simple values.

Shape to Form Using Space-lock and key shape
I started with a random lock and key sort of shape and then extended it down into space. Next, I added some contour lines.
Shape to Form Using Space-lock and key shape-with values
In the last step, I added basic values.
Shape to Form Using Space-Oraganic Land shape-space-planes
Here I went for a random shape with a more organic feel. First, I drew down from its outer contour lines to begin adding depth. Then, I defined the space within the shape by adding some planes. This breaks up the larger space into smaller pieces.
Shape to Form Using Space-Oraganic Land-contour lines-value block in
After defining the planes I added some contour lines and a basic block-in of values.
Shape to Form Using Space-Oraganic Land-contour lines-value range-cast shadows
Lastly, I firmed up the values by including the full range of tones and then added cast shadows.
Ceramic tile shape inspiration
This shape in a ceramic bathroom tile was my inspiration for the next shape. I see a woman’s figure in it, so I tried to recreate that for this next example.
Shape to Form Using Space-Female form-shape-space-planes
Once again I started with a flat shape, then I began adding depth by extending the shape’s contours out into space. Next, I added some simple indications of planes.
Shape to Form Using Space-Female form-shapes-forms-contour lines
The human figure is one of the most complex forms–containing many smaller forms that make up the body–so it was necessary to add additional shapes to create the smaller forms within the body. Each new form adds to the sense of depth. After cleaning up, I added some contour lines to help indicate volume for each form area.

A quick note here: While I kept this simple, dealing with the human figure requires a little familiarity with human anatomy. I included it here to demonstrate that the level of complexity does not really matter because the process remains consistent.

Shape to Form Using Space-Female form-value block-in-value range-cast shadows
After the contour lines were added, I blocked in the values, firmed up the value range, and included the cast shadows.

Adding Depth with Perspective

To turn shapes into forms using perspective, I started with a horizon line, one vanishing point (for 1-Point Perspective), and a few basic shapes. The next steps are essentially the same as in the earlier examples, except that when I extend the corners or contours of the shapes back in space, I am extending them toward the vanishing point.

Shape to Form Using Perspective-Basic Shapes in One Point Perspective
Once the forms are defined, I added some basic lighting.

The process does change a little for 2-Point Perspective in that you do not start with shapes but with simple lines. To achieve depth in perspective, you extend lines from each vertice to each of the two vanishing points.

Shape to Form Using Perspective-Forms in Two-point perspective-Line to Form-Two-Point Perspective
Basic form in art with perspective

Show Yourself Some Love! You Made it!

Okay, so do me a favor, would you? Kiss your hand and touch your forehead. It will feel silly but try it anyway. That is how you kiss your brain! Congratulations, you made it through all that information! It was a lot! I learned the “kiss your brain” thing from my kiddo’s teacher. Isn’t it cute?

In all seriousness, when you hang in there and gain new knowledge, it is super important to acknowledge your effort, work, and growth. It helps boost your morale and confidence. You are awesome, and I am glad you hung in there with me 😊

Treat yourself for being awesome!

I hope you found this clear as well as thorough and helpful. Please let me know if you have any questions—or need help if I have confused you—in the comments section below.

Take care and Happy drawing!

How to draw a red panda (WIP) 2021

Welcome to how to draw a red panda drawing tutorial!

Let’s learn about red pandas!

Exploration and study: Red panda drawing focused on shape and form

Shape breakouts and natural variations

How to draw a red panda: form construction

How to draw a red panda: Form dissection and interior studies

How to draw a red panda step-by-step tutorial

Red panda drawing in Perspective

How to draw a red panda with Light and Shadow

The details and colors of a red panda

Furry fun: Let’s draw a red panda from Imagination!

How to draw a banana (Simple fruity fun 2021)

How to draw a banana drawing tutorial

Welcome to my how to draw a banana drawing tutorial!

Hi everyone! 🖐🏾

Hopefully, you’re all well and ready to learn about bananas and how to draw them. This drawing tutorial is a little different from my others. We’ll still go banana banana for bananas, but I decided to try going heavier on the visuals since they’re such simple forms–until you start peeling them.

First, we’ll learn about what bananas are because it’s important to know something about what you’re drawing. Then, we’ll start getting into the process of how to draw a banana from exploration and study to how to draw a banana step by step, as well as banana drawing with light and shadow and in perspective. There will be quite a few videos in this drawing tutorial to better demonstrate the drawing process.

Most of them are only a few short minutes long and do not have sound–I didn’t think you guys needed to hear my pencil scratching or my kiddos playing in the background 😉.

Alright, let’s get started! As usual, there’s more to them than you can tell from a trip to your local market.

Banana banana! Let’s learn about bananas!

Did you know that a banana is, botanically speaking, a berry? Me either! In some countries, bananas used for cooking might be called “plantains,” which distinguishes them from the dessert variety most common here in the West from the Cavendish group.

A banana is a fruit that varies in size, color, and firmness while usually appearing elongated and curved. It has soft flesh that is abundant in starch and covered with a rind that also varies in color–green, yellow, red, purple, or brown–when ripe.

The banana is grown in 135 countries primarily for its fruit and make banana wine and beer, fiber, and for use as ornamental plants. A raw banana without its peel is 75% water, 23% carbohydrates and contains a very small amount of protein with almost no fat. They offer a modest amount of potassium, vitamin C, manganese, and dietary fiber, but they are most often used as a staple starch for many populations around the world.

There are as many ways to cook and eat a banana as there are people, and its plant’s flower, leaves, and trunk are used as well. The flower of a banana plant, called a banana heart, is eaten as a vegetable in South Asian and Southeast Asian cultures, and its leaves are regularly used as Earth-friendly disposable plates and food containers. Foods are also cooked inside banana plant leaves during steaming or grilling.

Exploration and study: Banana drawing focused on shape and form

As with any form we draw, the first step is to explore and study the major shapes and forms. That begins with gathering references and drawing from them and from life.

Here are a few reference photos I took, along with reference boards I created. You’re welcome to use these in your study if you like.

Shape breakouts and natural variations

The banana is a super simple form, making studying it fairly easy–until you start peeling it 😉. Most of its variation comes in proportion, color, and surface texture.

From here on out, there will be several videos and a few images demonstrating each stage of how to draw a banana.

How to draw a banana: form construction

How to draw a banana: Form dissection and interior studies

Form dissection is all about opening up our forms so we can start understanding and playing with the internal shapes and details. This helps us have fun, learn, and tell stories.

How to draw a banana step-by-step tutorial

How to draw a banana (unpeeled) step-by-step.

In case my video wasn’t clear enough for how to draw a banana step by step, I’ve broken out the steps here with another step by step drawing tutorial of a partially peeled banana.

how to draw a banana_step by step 01

How to draw a banana Step 1

Lay down your gesture line (or line of action). You’ll build your shapes on top of this.

how to draw a banana_step by step 02

Banana drawing Step 2

Begin building each shape you need on top of your gesture line. Lines and shapes build form, so we start there.

how to draw a banana_step by step 03

Banana drawing Step 3

Once you have all the shapes you need blocked in, use lines to connect them, as shown here.

how to draw a banana_step by step 04

Banana drawing Step 4

Start with an ellipse shape around the middle and more gesture lines to begin constructing the peel forms.

how to draw a banana_step by step 05

Banana drawing Step 5

The peel forms are plane shapes, so once you have laid down your gesture lines, it’s a matter of building the plane shapes on top. Next, you choose the length, width, and direction of each peel shape.

how to draw a banana_step by step 06 final

Finishing up!

With all your forms constructed, now is a good time to clean up your sketch and darken it for clarity and finishing.

Here’s the video to go with the step-by-step from above.
Bananas come in bunches, so let’s practice that, too!

How to draw a banana peel step-by-step tutorial

Banana drawing in Perspective

For setting scenes, you need Perspective drawing practice. Here are a couple of videos that demonstrate how to set up your boxes in 1 and 2-point perspectives and how to use them to build in your forms. The process is the same; we’re just adding perspective into the mix.

How to draw a banana with Light and Shadow

Next, in this how to draw a banana drawing tutorial, I’ll cover how to approach basic lighting for the banana bunch I drew earlier. Additionally, I’ve started a series on The Fundamentals of Light if you’d like more in-depth information.

How to draw a banana_Light and shadow step-by-step_finished sketch

How to draw a banana with Light & Shadow, Step 1.

The first step is always a solid drawing–no one wants to waste time polishing a turd 😉.

How to draw a banana_Light and shadow step-by-step_add local tones

Step 2 – Local tone.

Next, we need to add the local tones. Local tones are your subject’s areas of native lightness or darkness–where each part of the subject lives on the value scale.

How to draw a banana_Light and shadow step-by-step_add light source

Step 3 – Light source.

Now, decide on your light source’s direction and intensity (exposure). I’ve kept it simple here, having the light come from the upper right-hand corner with intensity similar to sunlight. If we were tackling color, this would be the time to decide on the light source’s color and temperature.

How to draw a banana_Light and shadow step-by-step_first shadow pass

Step 4 – First shadow pass.

Using your light direction and form construction as guides, do a rough pass with a darker tone to block in the basic shadows.

How to draw a banana_Light and shadow step-by-step_first light pass

Step 5 – First light pass.

Here is the same idea as the previous step, only now you’re blocking in where the light lands on the bananas.

How to draw a banana_Light and shadow step-by-step_2nd shadow pass darker and occluded

Step 6 – Deepen & refine shadows.

With the basic scheme in place, it’s time to deepen the shadows and refine them through blending. There are nearly always places where the light won’t reach, so we need to include occlusion shadows to demonstrate that.

How to draw a banana_Light and shadow step-by-step_with hightlights and reflected light_Completed

Step 7 – More light & finish.

Now the lighting for our how to draw a banana light and shadow demo is nearly complete.

All we need to do now is refine the lights through blending, adding highlights, and adding any necessary bounce or reflected light. Then we’re done!

I didn’t go full-tilt high render here, but it’s enough to illustrate the basics of how to light your own banana drawings.

The fruits of your labor: A bit about details and colors

If you’ve spent any time with me in previous how-to-draw articles, like for mushrooms or pumpkins, you know that I prefer to keep color and surface details separate from the drawing stage. Drawing tutorials are about drawing. When drawing tutorials start trying to cover color and surface textures, things can start to get confusing. Don’t get me wrong, they’re all connected, and everything needs to be addressed and explained. I will do that; I promise–just not here.

My goal here is to give you a solid foundation for drawing a banana without a reference. From a solid drawing foundation, you can build whatever other mood or story elements you want.

Fun with fruit: Let’s draw a banana from Imagination!

I’m not gonna lie; I had a hard time with this. Bananas are so simple that I found it difficult to come up with more than a few funky ideas for imaginative drawings. I’m sure you’ll do better than I did 😉.

Thank you!

It has been my pleasure to create this how to draw a banana drawing lesson 😊. I hope you’ve enjoyed it and found it helpful.

If you have any questions or feedback for me, please leave them in the comments section below. I’d love to hear from you and learn a lesson myself in what you found helpful and what you think could be improved. If any of you have kids, please let me know how well you’re able to go through this with them in the comments! I don’t usually write with kids in mind because of the advanced nature of the drawing process, but I’d love to make my process work for kids, too. Happy drawing, everyone, and take care!


More how-to-draw articles on CecelyV.com:

How to draw a circle

How to draw a cube

How to draw a sphere

How to draw a mushroom

How to draw a pumpkin

How to draw a sphere: A flexible approach to a valuable form, 2021

How to draw a sphere

Welcome to how to draw a sphere!

Hello and welcome fellow artists!

Thank you for visiting this article on my site to learn how to draw a sphere!

I’ll go step-by-step through a few methods for sphere drawing, and most of them focus on drawing spheres not lighting spheres. There’s a distinct difference between drawing forms and adding light and shadow to them.

Drawing solid forms should always come first, then light source, shadows, highlights, etc can come into your picture plane. The goal is to have a solid drawing first, with form space you understand. This makes adding light and shadow so much easier.

I don’t shoot for perfect spheres in all of my examples because there are lots of sphere-like or ovoid forms whose drawing process is nearly identical to spheres. These sphere-like forms are basically variations of a sphere, and it helps to know how to construct those as well.

Let’s dig in! We’ll start by looking at what defines a sphere.

Learning about spheres: The technical stuff and gubbins

Don’t worry, I won’t get too mathematical on you, I promise 😉.

Just as every point on a circle is equidistant from its center, so it is with a sphere. The major difference is a sphere is a three-dimensional form, while a circle is a two-dimensional shape. Shapes, edges, and vertices, and depth create forms, which we also call objects.

So, a sphere is a geometric three-dimensional form whose surface is composed of points that are all equidistant from its center. In general, we use the terms sphere and ball interchangeably, and that’s fine.

Exploration and study: Natural and man-made spheres

We need reference photo materials! We all know what a ball, sphere, sphere-like, and ovoid forms look like, so the value of a reference photo here isn’t really for learning how to draw a sphere. Its value is as a source of inspiration. After learning how to draw a sphere, we’ll want to add surface texture and light–which is where the reference photos come in handy.

Shape breakouts and natural variations

Most objects we see in day-to-day life are spherical or spheroid. That means things like apples, oranges, grapes, water droplets, the human skull, etc are three-dimensional forms that are round, or more or less round. They are not perfect spheres, but they’re visually close enough to be referred to as spheres or spherical.

Here’s a reference board for spherical/spheroid and ovoid objects:

How to draw a sphere step-by-step tutorials

There are three methods I’ll cover here that are strictly drawing only–meaning no tonal value, or light and shade, is used to create the spheres. The first two methods demonstrate how to draw freehand spheres, while the third covers sphere drawing in perspective.

The fourth method I’ll cover here goes step-by-step through how to draw a sphere using light and shadow, both digitally and using graphite. I will demonstrate how to add a light source, form shadow, mid-tone (or half tone), a core shadow, a cast shadow, and a highlight to a flat circle shape to model a sphere. I’ll also demonstrate cast shadow placement using the angle of the light rays from the light source.

In this first method, we’ll draw a sphere by using ellipses to add the illusion of depth to a flat circle shape.

how to draw a sphere_depth with ellipses method 01

Step One

Draw a circle of any size you like, and try to make it as round as you can.

how to draw a sphere_depth with ellipses method 02

Step Two

Draw horizontal ellipses within your circle. The band of each ellipse should look and feel like it’s wrapping around the surface of the sphere you’re creating.

This feeling of a contour line wrapping around a form is what ultimately gives our sphere drawing a sense of three-dimensional depth on our picture plane (paper).

how to draw a sphere_depth with ellipses method 03

Step Three

Next, repeat the same process from step 2 with vertical ellipses wrapping around the sphere from top to bottom.

how to draw a sphere_depth with ellipses method 04

Quick Tip!

The way your ellipses wrap around the edges, or outline, of the circle you started with, is very important.

The illusion of depth is created by giving the viewer the feeling the contour lines are wrapping around the form. This creates a sense of depth because it shows plane changes/turns on the form.

2D forms have no depth, so they have no plane changes to indicate a presence in 3D space. Plane changes are the realm of three dimensions.

how to draw a sphere_depth with ellipses method 05

Step Four

Once you’re happy with the sense of depth created by your ellipses, begin darkening the contour lines on the front-facing side of your sphere.

Darkening the contours on the front side, while leaving those in the back lighter, will add a greater sense of depth through value. Darker tones appear to come forward, while lighter tones appear to recede into the background.

To make this process as clear as possible, I created a video to demo the sphere drawing process for this method.

Another method for how to draw a sphere more or less does away with using a circle shape as a starting guide. I don’t find this next method as intuitive or helpful as the method above, but it is another option to consider. It begins with ellipses instead of a circle.

How to draw a sphere: Form dissection

I created the next few videos to demonstrate the form dissection part of how to draw a sphere. When we need to draw something broken, split open, cut up, etc., visual dissection drawing skills come in handy. It’s also useful for investigating and drawing internal shapes and forms, like the juicy insides of a sliced orange or the bloody bits of a battle wound or a sliced-off limb.

The most important thing to remember about the dissection of any form is to do it along believable contour lines, even if you’re not going for a clean look.

Getting a crescent shape from spheres.

Sphere drawing in Perspective

If you’ve visited any of my other how-to-draw articles, first of all, Thank you!

Second, you will have noticed that part of the way I craft these lessons is to demonstrate how to draw the subject in perspective. Perspective drawing is one of the fundamental drawing skills, so I give it a shout-out in each of these articles.

Next, I’ve created a video to demonstrate how some of the process for how to draw a sphere in perspective. As you’ll see in the video, the process is simple but requires quite a bit of repetition.

Below are some images from the video to act as another reference for how to draw a sphere in perspective.

How to draw a sphere with Light and shadow

The first thing to know about how to draw a sphere with light and shadow is that there isn’t a lot of drawing involved, per se.

I consider drawing to be the use of line marks and segments, shapes, forms, etc., which is a bit different than adding value/tones through shading. I think of light and shadow more like painting and coloring, which is why I’m not terribly fond of covering them in how to draw articles. I’m always concerned that it will cause confusion, but it is all connected so we gotta get into it at least a little.

Please try to bear in mind, for how to draw a sphere and anything else you draw, that you always want a solid drawing with solid forms first. Light and shadow, tones and shade, and color and paint all come after you have solid forms.

Okay, I promise I’m done ranting about it. For now 😜.

Know your light source

When you’re comfortable with how to draw a sphere, the next step is to add a light source to create light, shade, shadows, and the other values and tones.

First things first, you must know a few things about your light source.

Without diving into the Fundamentals of Light, the four things you must know (or invent and decide on) about your light source are its angle in relation to your object, its height, its color/temperature, and its intensity.

To help you practice, I recommend keeping it simple so there are fewer variables to juggle. I suggest sticking to black and white for now and using a simple light of average intensity. That leaves the height and angle of your light source to play and experiment with.

Here are a few references to help with visualizing your light source.

Form shadow and cast shadows

When lit, all forms will have at least three shadows: a form shadow, a cast shadow, and an occlusion shadow. Of course, in reality, the tones/values are much more involved than that.

Here are a few diagrams to illustrate most, if not all, of the areas and terminology involved in how to draw a sphere with light and shadow.

Lighting your sphere drawing step-by-step (digital)

Now that we’ve very roughly covered a few lighting basics, let’s dive into some demonstration. From experience, I believe the fundamentals of light are more easily practiced with digital tools–they’re much more forgiving. So, this example has been created in Photoshop.

Basic Light and Shadow Demo 01-plain circle

Step One

Start with a medium-size flat circle. It helps to use one with some tone rather than a white circle. Here I’ve used a mid-tone gray circle.

In the case of how to draw a sphere with light and shadow, we need to start with a toned flat circle and build the depth with light and shade. Normally, I would not start lighting without a form.

Basic Light and Shadow Demo 02-add light source and light guide

Step Two

We have a shape to add depth to, now it’s time to decide on the light source.

I chose to emulate the sun here, keeping the source up high, at about a 45-degree angle to the object, far away, and intense.

Basic Light and Shadow Demo 03-add center light

Step Three

With the light source set, let’s make the first rough light pass on the object.

The focus here is on determining where your sphere’s terminus/terminator will be by judging where the plane change happens–where the sphere would begin to turn away from the light.

Basic Light and Shadow Demo 04-add form shadow-terminus-core shadow

Step Four

Now it’s time to get into the shade and shading part.

Light helps us see forms, while shade and shadow give us form definition.

In this step, select a dark grey (about 80-85%, or a 2b pencil to 4b pencil if you’re working traditionally) and begin blocking in the form shadow.

The form shadow will begin at the terminus/terminator and cover all parts of the form facing away from the light.

This is also a good time to start blending in your halftone/mid-tone. The halftone/mid-tone area is where the form has started to turn away from the light but hasn’t turned enough to be in shadow. So, this area is roughly half the value of both the center light and form shadow combined.

It helps to remember these are all first passes. It will be necessary to go back over each area to darken, lighten, blend, and adjust as needed.

Basic Light and Shadow Demo 05-add cast shadow-occlusion shadow

Step Five

With your form shadow roughed in, it’s time to add your cast shadow.

The shape and angle of your cast shadow are determined by the shape of your form and the angle of your light source.

It’s okay you’re a little off at first. I’m pretty sure my example here is slightly off, but it works.

A written explanation gets confusing, so I’ll include a diagram for placing cast shadows after this step-by-step tutorial.

Learning how to draw a sphere with light and shadow is a really good exercise for learning about the other important shadows, like the core and occlusion shadows.

You’ll see in the diagrams from steps four and five that I’ve labeled the core shadow. The terminus/terminator is where the light no longer reaches and the form shadow begins. Right next to that is the core shadow, the darkest part of the form shadow.

Occlusion shadow areas are places where the light cannot reach at all–they are occluded, obstructed. Occlusion shadows can be present on or inside of forms as well as part of cast shadows. Wherever the light does not reach, you should have occlusion level darkness of tone/value.

Basic Light and Shadow Demo 06-add highlight-reflected light

Step 6

The last step in how to draw a sphere with light and shadow is to add the reflected or “bounce” light.

Reflected light happens when light from the source bounces off other surfaces and is reflected back onto the object–in this case on its form shadow area.

How to determine cast shadow placement

Next, I’ve included a few images to demonstrate how to locate and place the cast shadow for a sphere. Here we’re looking for where the light rays meet the outer contours of the sphere and intersect the ground plane.

How to draw a sphere with light and shadow using pencils (traditional)

Not everyone is interested in working digitally, so I thought it would be helpful to demonstrate how to draw a sphere with light and shadow traditionally as well.

If you’d like to follow along with this demonstration, you’ll need a few pencils. I recommend a blend of the soft and hard leads: 4h, 2h, and h pencils; as well as an hb pencil and a 2b pencil. 4b and 6b pencils will help in the shadow areas. I like to go all the way up to 8b because I love velvety shadows, but usually, 6b is dark enough. I have articles about graphite pencils and drawing tools if you need more information in those areas.

As a rule, I don’t use a blending stump, cotton swab, or cotton ball for this kind of exercise. They smudge more than they blend, so I avoid them.

How to draw a sphere from Imagination!

Here is where those lovely references from the beginning of this article come in handy! While important, sphere drawing on its own isn’t the most exciting exercise. With some imagination and reference, you can create some fun and awesome things from spheres.

How to draw a Sphere, signing off!

Well, this one was quite a few mouthfuls, wasn’t it?

Thank you so much for reading how to draw a sphere and spending some time with me here. I appreciate you hanging in there and I hope you found this helpful and valuable to your artist journey.

I’m always trying to improve and come up with more useful articles to write, so if you have any feedback or questions for me, please reach out to me in the comments below.

Take care, stay safe, and happy drawing!


More how-to-draw articles on CecelyV.com:

How to draw a circle

How to draw a cube

How to draw a mushroom

How to draw a banana

How to draw a pumpkin